Pedro Pires is a Portuguese artist, Central Saint Martin’s graduate, living in London. When I first met him, I had no idea of what he was capable of. After taking a voyage de plaisir in Lisbon, his hometown and randomly getting hold of a tube ticket that was exhibiting his work as well as seeing his work at Parque das Nações it became apparent to me that Pedro possibly did not just think that art was meant just for galleries and private collections. I recently stumbled upon some of his work at the Old Street tube station.
Not being technically qualified to criticise art myself, but massively interested in the use of public space and of course forms of promotion, I thought I’d ask Pedro a couple of questions that I thought would be relevant.
Q : Seeing that a lot of your work is exhibited in public spaces, got me thinking that it might be designed with public spaces in mind. Is that true? If yes, is there a general mission behind it, or is it just a promotion tool?
A: It is always a promotion tool, but my first concern is to challenge the use of public space. The pieces are not always designed for public spaces. For example the two in the tube, the one in Lisbon and this one in London.

For Lisbon a company bought my sculpture (seen above) and then invited me to participate in the project ( aiming to support and promote young Portuguese artists through the dissemination of their work for tickets. Check Proxima Paragem Cultura for more ) with that work, so I couldn´t develop a work specifically for that. In the london tube I sent a photo of my work done previously, because their idea is to show art work transforming the tube into an art gallery. I thought about making a specific work for this but then I had that work and I had interest in seeing how it would work in a public space like the tube.
The work (series seen above) is a bit about grids and methods of measuring in the industrialized word so it felt perfect for the tube space. The work you saw in lisbon, the Man Wall was specifically designed for that space. the context, the space, the public in that space were part of the brainstorming. My main challenge is always to connect with the viewer and for that i tend to use the human body. But I try to use the human figure as an obvious visual form in order to question the general public notions about art, about the usual expectations seeing of “something pretty”. That is one of the important layers of the work. That game between obvious, expectation and meanings.
Q: Sounds good. So what’s next?
A: I have a studio in london already, and I am trying to start projects in London and Lisbon, creating a net and exchange between artists of the two countries. At the moment I am developing 2 sculptures in metal for the lisbon art fair, in the end of November. I´ll try to use my studio in London for exhibitions.
Definitely keep applying and looking for more public art projects and developing the photography work that I started a year ago.
You can check more about Pedro (who incidentaly had a brief stint in Athens Art School (Καλών Τεχνών) ) at pedropires.pt.


